They are all over the city, running geese with tails and woofs. Many have mange, others have the signs of wounded battles, and others are like these, bones and waiting for the last day. Los perros flacos, and I saw this one a few weeks ago when I was reading at the Memorial Library on Culebra. There are two of them: one is a black pit, I call him "Negro," who loves me now, and this white one, "La Flaca," her bones crackle when she walks. Negro runs the show, I guess.
You need to get rid of these dogs, the homeowner says. She says that people dump dogs here, and the City hasn't been able to catch them. Since I've been feeding them, they come to me, and Negro jumped into my van this morning. He's ready to go. You ready for the doggie garden? It was the deer strips, I think.
So some young latinas asked me yesterday about the "Huipiles" at the Museo Alameda. They were confused about the Exhibit. The photo below is by a commercial artist, Liz Garza Williams, one of the artists in the Huipiles Exhibit, and this is her photo of the featured artist, Kathy Sosa, wife of Republican party advertising-mogul Lionel Sosa, who is also in the show. You know what this visual says to young latinas, who comprise the majority population in this region? This photo, indicative of the quality and imagery in this Huipiles exhibit, says "See how I own your past? Do you see how beautiful I am wearing what you don't even know about? You can't even afford your own history, because only a rich woman like me is good enough and beautiful enough to wear it." Now the Museo Alameda has asked latina scholars to contribute to "panels," to discuss "huipiles." There is a documentary that accompanies the show where some huipil-dres...
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