My mother, Marina, crossed the border with a second-grade education, and saw almost all eight of her children born here finish college. Big mistake: She spoiled my brothers, those little kings of hers, who worshipped her too, awed by how she raised them on her minimum-wage jobs. Now middle-aged, they struggle with their double standards, treating most women, including me, with scorn and contempt. Though they've become expert at hiding it. It is a well-known secret that the elders of the Chicano movement, and even the late Henry B. Gonzalez himself, the great Congressman from San Antonio, father of today's Congressman Charlie Gonzalez, were, how to put this nicely, dominating men. They must've had mothers like mine. These hombres fought hard for us to be equal, but weren't very equal at home or in the office. The Immigrant Rights Movement has the potential to transform this country with a whole nation of people who know what injustice feels like, but first, we w...

San Antonio is a poor city, verdad? But the stories, told in our language, del hueso, are muy rich,and we deserve a BookFair for the world to hear them. Por muchos years, the Guadalupe Cultural Center hosted a Literary BookFair . I must've spent a thousand dollars buying books, y mas . Here is a memoria from Bryce Milligan,who was one of the fuerzas who made it happen. Part 1 THE LAST REAL BOOKFAIR WE HAD IN SAN ANTONIO UNA MEMORIA/INTRO TO THE 2002 BOOKFAIR BY B. MILLIGAN It was a blustery January day in 1980 and I was walking downtown with my friend Ron Moore after a good morning’s browse at Rosengren’s, that legendary bookstore behind the Alamo that we were delighted to inhabit during its final few years. We were lamenting the fact that San Antonio was a great place to write, but a lousy place to make a living as a writer. “What we need,” said Ron, “is a first-rate literary magazine.” Three years later, the first issue of Pax: A Journal for Peace through Culture appeared. ...

The Guadalupe Board must resig n . Everybody is saying it. Just not publicly. Porque? Steve Bailey, a long-time cultural leader, said it to me. He also said it to Elda Silva of the San Antonio Express-News, who's writing a story about the Guadalupe crisis, due out soon. In fact, if you sit down and talk to the other cultural activistas in town, from the Westside Coalition to the art collectors to the raza professors at UTSA, to the established artists in town, they all say the same thing: The Guadalupe Board Must Go. Why don't they say this outloud? The Cultural Leaders are afraid of appearing to gain at the Guadalupe's expense. As much as they would like to get more money from the Office of Cultural Affairs, they don't want to see the Guadalupe collapse. You see, at the rate the Guadalupe is going, there won't be a Guadalupe Center in a couple of years - but the Guadalupe Board is ill-equipped to understand that, harboring fantasies of becoming the Alam...

The Guadalupe Cultural Center has been the nation's premier cultural fountain of l atino/chicano culture . Organized and founded by artists twenty-seven years ago, it is now in the hands of a board comprised of professional lawyers, corporate employees, business-types, a professor and a psychologist. The quality of its programming has been suffering since the departure of Pedro Rodriguez, who was at the helm of the institution for fifteen years. Beginning with the hire of Maria Elena Torralva-Alonso, a communications executive, over five years ago, the Guadalupe has become mired in debt, resulting from real estate and public art (the Virgen Veladora) investments, unchecked by boardmembers appointed by the egotistical Torralva-Alonso. Truth be told , the Guadalupe isn't an artistic institution anymore - all of the artistic directors have been fired/terminated/resigned - except for Belinda Menchaca, in Dance. Marisela Barrera, the Theatre Director, known for creating a vivaci...

Guadalupe in Crisis: Watch/Read How the Board is in Denial Watch the video This is the way that R. Bret Ruiz addresses the audience at the Guadalupe Cultural Center boardmeetings. At the two meetings I've attended, he never looks or smiles at the audience, and just faces the board, so this is what we see of him. On Monday, March 10, 2006, the GCAC Board held an emergency meeting and told the staff that "there was no evidence" of any wrongdoing on the part of R. Bret Ruiz . The Board has been in the news, after Dee Zapata Murff, an employee, accused him of sexual and racial harrassment. My scrutiny of R. Bret Ruiz revealed that he falsified his resume, that he used an employee's credit card (because he couldn't obtain one himself), and that Juan Aguilera, the GCAC's Board Chairman, was warned by Ruiz' former boss (Mauricio Navarro of the Anita R. Martinez Ballet Folklorico in Dallas, Texas), that Ruiz was the "worst director...

Guadalupe in Crisis: Why is the theatre empty? Watch the video Maria Ibarra, artist, made a passionate plea for answers from the Board of Directors. She also asked them to look at her, at the audience, and to show respeto to the students and parents in attendance.